My husband contends that little separates our creative worlds, mine stationary and his physical. After all, don’t I spend the day banging my head against the corner of the desk, trying to make a sentence, just like he bashes his own thoughts into meaning? Maybe so, but I maintain that the comparison ends there. His artistic life consists of the transference of ideas to the tactile world through the medium of mostly igneous rock. Every cut he makes is deliberate and joyous, an action with a purpose: to tame the stone and the edges into an object that exists already, one that – maybe decades ago – took shape in his head. His tools provide him with a sense of measure, balance, and even logic because they guide him to the sculpture’s inevitability. He’s an artist, who offers an object of beauty for people to love or buy, and he needs to justify the space it will take up in the world.